Tags :: Arabian Nights

Aladdin REVIEW

Aladdin (2019)

It’s the story you know already, almost exactly. They say the lines and sing the songs, the same songs, almost exactly. It’s a good story and they’re good songs. There are no spoilers in this review because how could there be?

Aladdin REVIEW

Aladdin (1992)

Disney’s Aladdin does more than give Williams an opportunity to let loose the comic giant inside him: It offers the Disney animators perhaps their greatest creative challenge, and inspiration, in over half a century.

REVIEW

The Thief of Bagdad (1940)

In this version, the romantic lead who falls in love with the princess is not the titular thief, but a beggar named Ahmad (John Justin) who is actually the rightful king of Bagdad, but has been deposed by his treacherous Grand Vizier Jaffar (Conrad Veidt). The thief, on the other hand, is a mischievous, resourceful lad named Abu (Sabu).

REVIEW

The Thief of Bagdad (1924)

Rivaled only by the awesome Babylonian segments of D. W. Griffith’s Intolerance, Douglas Fairbanks’ lavish, extravagant The Thief of Bagdad ranks as the very pinnacle of silent-era spectacle.

Road to Morocco REVIEW

Road to Morocco (1942)

This time out the boys take their Road act to Arabian Nights territory, where, as usual, they sing (especially Bing), crack wise (especially Bob), and vie over Lamour, who again has an agenda of her own. The story, which is taken about as seriously as the plot of a typical Looney Tunes cartoon, has Bing and Bob shipwrecked and washed up on the road to Morocco.